If so, he wasn’t alone in feeling that way. Maybe, beneath the million-dollar smile and southern fried irascibility, it has dawned on him that there is something deeply dislikable about Connor Mead. Here, acting opposite a bored and baffled-looking Jennifer Garner (as the true love that got away) he is dead-eyed, irritated and quietly appalled. In hits such as The Wedding Planner and How To Lose A Guy In 10 Days, the Texan is charm on a stick. You can see why McConaughey quit the rom-com game immediately afterwards. The tale has nothing whatsoever to do with Christmas, though you suspect that this would be the least of Dickens's objections. These spirits take him on a tour of his empty existence as a serial lothario: by sun-up, he realises there is more to life than being a perma-tanned creep. He slips into the loafers of Connor Mead, ace fashion photographer, womanising bachelor and Scrooge stand-in – as we discover when he is visited by three ghosts, starting with his first kiss, played by Emma Stone. That’s probably as well because it’s hard to imagine a charismatic leading man sinking any lower. His Dickens debacle was where it all changed for him. Ghosts was his final rom-com four years later he was method-acting his way to an Academy Award for Dallas Buyers Club and hoovering up every plaudit going for True Detective. On an upward trajectory after Mean Girls in 2004, he was last seen directing the ghastly He’s All That, a gender-flipped remake of She’s All That churned out for Netflix in 2021.īut Ghosts of Girlfriends Past was also the abomination from which sprang the McConaissance – Matthew McConaughey’s journey from sappy romantic lead to gnarled character actor and Oscar winner. Toxic, unfunny, cheesy and sexist– and those are its more positive attributes – the film landed with the splat of a turkey dropped from height (the terrible reviews admittedly offset by a robust $100 million box office).Īmong other unfortunate consequences, it has cast a seemingly permanent stain on the reputation of director Mark Waters. Because the title of Worst Ever Christmas Carol will forever reside with Matthew McConaughey’s 2009 hell-spawn romcom, Ghosts of Girlfriends Past. Yet in the power rankings of the sorriest Scrooge-to-screen adaptation, they aren’t even in the half-penny place. Scrooge and Spirited are both toe-curling with bells on A Christmas Carole sounds pretty “Bah Humbug” too. What next – Suranne Jones playing a Scrooge-adjacent online entrepreneur in a Sky movie? Yes, Christmas Carole debuts on Christmas Eve. We’ve already had Olivia Colman, Luke Evans and Jessie Buckley in the animated Scrooge: A Christmas Carol and Ryan Reynolds and Will Ferrell in Spirited, a soulless stab at an origin story for the Ghosts of Christmas Past, Present and Future. Each December the entertainment industry unwraps a shiny new version of A Christmas Carol.
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